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Rembrandt Harmenszoon van Rijn 's works
 The Martyrdom of St. Stephen. 1625
The Martyrdom of St. Stephen. 1625
 The Ass of Balaam Talking before the Angel. 1626
The Ass of Balaam Talking before the Angel. 1...
 Tobit and Anna. 1626
Tobit and Anna. 1626
 Christ Drives Money-Changers from the Temple. 1626
Christ Drives Money-Changers from the Temple....
 St. Paul in Prison. 1627
St. Paul in Prison. 1627
 Parable of the Rich Man. 1627
Parable of the Rich Man. 1627
 David Presenting the Head of Goliath to King Saul.  Detail. 1627
David Presenting the Head of Goliath to King ...
 The Presentation of Jesus in the Temple. c. 1627
The Presentation of Jesus in the Temple. c. 1...
 Two Scholars Disputing (Peter and Paul?). 1628
Two Scholars Disputing (Peter and Paul?). 162...
 Pilgrims at Emmaus. 1628
Pilgrims at Emmaus. 1628
 Peter Denying Christ. 1628
Peter Denying Christ. 1628
 Self-Portrait. c. 1629
Self-Portrait. c. 1629
 Self-Portrait. 1629
Self-Portrait. 1629
 An Artist in His Studio. c.1629
An Artist in His Studio. c.1629
 Portrait of the Artist's Mother. c. 1629
Portrait of the Artist's Mother. c. 1629
 Samson Betrayed by Delilah. c 1629
Samson Betrayed by Delilah. c 1629
 Self-Portrait Open-Mouthed. 1630
Self-Portrait Open-Mouthed. 1630
 Self-Portrait with Knitted Brows. 1630
Self-Portrait with Knitted Brows. 1630
 Self-Portrait with Wide-Open Eyes. 1630
Self-Portrait with Wide-Open Eyes. 1630
 Portrait of Rembrandt's Mother. c. 1630
Portrait of Rembrandt's Mother. c. 1630
 The Prophet Jeremiah Mourning over the Destruction of Jerusalem. 1630
The Prophet Jeremiah Mourning over the Destru...
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  • Rembrandt Harmenszoon van Rijn
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    Biography:
        Rembrandt Harmenszoon van Rijn (1606-1669) Rembrandt Harmenszoon van Rijn was born on 15th July, 1606, in Leiden, the eighth of nine children of Harmen Gerritszoon van Rijn and his wife, Neeltje van Suijttbroeck. He was the first and the only of their sons whom they sent to the school for Latin. After seven years¡¯ schooling (1613-1620), Rembrandt entered the Philosophical Faculty of Leiden University to study Classics. A short period at the university finished with starting a period of apprenticeship (1622-24) under the Italy-trained painter Jacob Isaacszoon van Swanenburgh. However, the succeeding half-year studies under Pieter Lastman, the Amsterdam artist of historical paintings, influenced Rembrandt¡¯s work much deeper. In 1625 the 19-year-old Rembrandt returned to Leiden and opened his own studio, which he shared with his friend of the same age, Jan Lievens. Rembrandt executed historical paintings, initially following Lastman¡¯s models: Tobit and Anna (1626), The Ass of Balaam Talking before the Angel. (1626). His physiognomic studies, resulted in numerous self-portraits: Self-Portrait. (c. 1629), Self-Portrait with Wide-Open Eyes. (1630). During his lifetime Rembrandt executed more than 100 self-portraits. He also produced many engravings and etchings. The turning point in Rembrandt¡¯s further career was the visit to Leiden of Constantijn Huygens, the widely educated secretary of the governor Prince Frederick Hendrick, who developed great interest in Rembrandt and his art. Huygens¡¯ patronage led to commissions and initial success: two works by Rembrandt were purchased by the English Crown and many copies of his painting Judas Returning the Thirty Pieces of Silver and the Raising of Lazarus were soon published. After his father¡¯s death on 27th April 1630, Rembrandt moved to Amsterdam, where he settled in the house of the art-dealer, Hendrick van Uylenburgh. Prince Frederick Hendrick bought a number of his paintings and commissioned the Passion cycle, which he would finish in 1639. In 1632, Rembrandt also received the commission to paint a portrait of Dr. Nicolaes Tulp, the famous Amsterdam surgeon. Wining acclaim with this work, Rembrandt became a fashionable portraitist in Amsterdam and started to receive many commissions for portraits of well-to-do patricians. One of his favorite themes, the meditating Philosopher, appeared in his work as early as about 1633. The Prophet Jeremiah Mourning over the Destruction of Jerusalem. (1630): Rembrandt has used the blunt end of his brush to scratch details of the foliage, Jeremiah¡¯s beard and the fastenings of his tunic in the wet paint, a characteristic technique of his early years. In 1634, Rembrandt became a member of the Guild of St. Luke, in order that he may train pup....
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