| |
|
|
Francisco de Goya y Lucientes
's works |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| <<
1 2 3 4 5 6 7 >> |
|
| Oil Painting Reproduction |
| Every painting is painted by an experienced artist. No printing or digital imaging techniques are used. We use only the finest oil paintings and canvas for your painting. |
| Worldwide FREE Shipping. |
| Francisco de Goya y Lucientes
|
 |
|
| Biography: |
|
Francisco de Goya y Lucientes
(1746-1828)
Goya was born in a very poor village called Fuendetodos, near Saragossa, in Aragon, on 30 March 1746. Goya¡¯s father was a gilder in Saragossa and it was there that Goya spent his childhood and adolescence.
He began his artistic studies at the age of 13 with a local artist, Jos¨¦ Lus¨¢n, who had trained in Naples and who taught Goya to draw, to copy engravings and to paint in oils. In 1763 and 1766, he competed unsuccessfully for a scholarship of the Royal Academy of San Fernando in Madrid, probably working in the studio of the Court Painter Francisco Bayeu, who was also from Saragossa. To continue his studies he went to Rome at his own expense. In April of 1771 he participated in a competition held by the Academy of Parma introducing himself as a pupil of Francisco Bayeu. By the end of 1771, Goya was back in Saragossa, where he received his first official commission, the frescoes in the Cathedral of El Pilar.
In 1773 Goya married Josefa Bayeu, sister of Francisco Bayeu. In 1774, the German artist Anton Raphael Mengs summoned Goya to Madrid to paint cartoons for tapestries for the Royal Factory of Santa Barbara. It is possible that Goya first met Mengs in Rome, since many years later he wrote that it was Mengs who made him return to Spain. In any event, it was Mengs who started him on his career at court. Under the direction first of Mengs, and later of Francisco Bayeu and Mariano Maella, Goya executed over 60 tapestry cartoons between 1775 and 1792, see e.g. Fight at the Cock Inn, The Parasol, La Cometa.
In 1780, Goya was elected a member of the Royal Academy of San Fernando. In 1780-81, he worked on the frescoes of El Pilar in Saragossa. On his return to Madrid he received the royal invitation to paint one of seven large altarpieces for the newly built church of San Francisco el Grande. The King¡¯s opinion of his work must have been favorable, because in 1785, a year after the paintings were first shown to the public, Goya was appointed Deputy Director of Painting in the Academy. In 1786, he became a court painter.
Among Goya¡¯s early admirers and most important patrons during a period of 20 years were the Duke and Duchess of Osuna, who commissioned not only portraits of themselves and a family group but also a number of paintings to decorate their country residence near Madrid, the Alameda Palace, known as El Capricho. Among other paintings for the Duke of Osuna are two altarpieces, commissioned in 1788 for the chapel of his ancestors, St. Francis Borgia, in Valencia Cathedral.
In 1783-85, Goya painted a number of portraits of the influential persons of his time: the portrait of the Chief Minister of State, the Count of Floridablanca, in which Goya himself appears; the family portrait of the Infante Don Luis, the King.... |
|
