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Cole,Thomas 's works
 Scene from the Last of the Mohicans. 1826
Scene from the Last of the Mohicans. 1826
 Falls of Kaaterskill. 1826
Falls of Kaaterskill. 1826
 Landscape Scene from the Last of the Mohicans. 1827
Landscape Scene from the Last of the Mohicans...
 The Clove, Catskills. c.1827
The Clove, Catskills. c.1827
 Expulsion from the Garden of Eden. c.1827
Expulsion from the Garden of Eden. c.1827
 Expulsion from the Garden of Eden (detail). c.1827-1828
Expulsion from the Garden of Eden (detail). c...
 The Giant's Chalice. 1833
The Giant's Chalice. 1833
 The Tornado. 1835
The Tornado. 1835
 The Course of Empire: The Savage State. 1836
The Course of Empire: The Savage State. 1836
 The Course of Empire: Desolation. 1836
The Course of Empire: Desolation. 1836
 View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (the Oxbow). 1836
View from Mount Holyoke, Northampton, Massach...
 Schroon Mountain, Adirondacks. 1838
Schroon Mountain, Adirondacks. 1838
 The Notch of the White Mountains. 1839
The Notch of the White Mountains. 1839
 The Voyage of Life: Childhood. 1842
The Voyage of Life: Childhood. 1842
 The Voyage of Life: Youth. 1842
The Voyage of Life: Youth. 1842
 The Voyage of Life: Old Age. 1842
The Voyage of Life: Old Age. 1842
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  • Cole,Thomas
    Biography:
        Thomas Cole (1801-1848) Cole is an American painter, one of the founders of Romantic landscape painting in the New World. He was born into an Anglo-American family in England in 1801. The family returned to the United States in 1818; until then young Thomas had received training in drawing and wood engraving. In the USA, he entered the Philadelphia Academy of Art in 1823. Later he settled in the Catskills on the Hudson and became a co-founder of the so-called Hudson River School, which established Romantic landscape painting in America. Direct, spontaneous landscapes painted in the wilderness of the Catskill Mountains brought rapid recognition and attracted New York buyers: The Clove, Catskills (c.1827). In 1829 and 1841-1842 Cole traveled to Europe, he visited England, Switzerland and Italy, studying in particular the landscapes of European masters. On his return, having also absorbed philosophical and literary ideas, Cole introduced a new type of painting to America: the symbolic, moral landscape, as represented by the series on the themes of The Course of Empire (1832; New York, Historical Society) and The Voyage of Life (1839/40; Utica, Munson William Proctor Institute): The Course of Empire: The Savage State (1836), The Voyage of Life: Childhood (1842). These are fantastic, symbolic scenes full of unusual effects of grandiose space and theatrical contrasts of light. Not satisfied with great American nature any longer, Cole increases fantastic and mystical character by introducing Biblical and antique subjects. His late pictures do not attain the fine quality of his earlier atmospheric landscapes, they are rough and primitive, but are supposed to stun spectators with extremely pretentious surrealism. ....
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