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Caravaggio 's works
 Boy Peeling a Fruit. c.1593
Boy Peeling a Fruit. c.1593
 Self-Portrait as Sick Bacchus. c.1593
Self-Portrait as Sick Bacchus. c.1593
 Boy Bitten by a Lizard. c.1593
Boy Bitten by a Lizard. c.1593
 Boy with a Basket of Fruit. c.1593
Boy with a Basket of Fruit. c.1593
 Penitent Magdalene. c.1593
Penitent Magdalene. c.1593
 The Cardsharps (I Bari). c.1594
The Cardsharps (I Bari). c.1594
 The Musicians. c.1595
The Musicians. c.1595
 The Lute-Player. c.1595
The Lute-Player. c.1595
 The Rest on the Flight into Egypt. c.1595
The Rest on the Flight into Egypt. c.1595
 St. Francis in Ecstasy. c.1596
St. Francis in Ecstasy. c.1596
 Bacchus. c.1597
Bacchus. c.1597
 Narcissus. c.1597
Narcissus. c.1597
 Medusa. c.1598
Medusa. c.1598
 The Fortune-Teller. c.1598
The Fortune-Teller. c.1598
 The Conversion of Mary Magdalen. c.1598
The Conversion of Mary Magdalen. c.1598
 The Sacrifice of Isaac. 1598
The Sacrifice of Isaac. 1598
 Portrait of Maffeo Barberini. c. 1598
Portrait of Maffeo Barberini. c. 1598
 St. Catherine of Alexandria. c.1599
St. Catherine of Alexandria. c.1599
 Judith Beheading Holofernes. c.1599
Judith Beheading Holofernes. c.1599
 The Martyrdom of St. Matthew. 1599
The Martyrdom of St. Matthew. 1599
 Interior of Contarelli Chapel. San Luigi dei Francesi, Rome, Italy
Interior of Contarelli Chapel. San Luigi dei ...
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  • Caravaggio
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    Biography:
        Caravaggio (1571 ¨C1610) Michelangelo Merisi, called later Caravaggio, was born in either Milan, or a town of Caravaggio near Milan, as the son of a ducal architect. His early training started in 1584 under Simone Peterzano, a little known pupil of Titian, and continued till 1588. In 1592, Caravaggio went to Rome. His contact with Giuseppe Cesare d¡¯Arpino (1568-1640), the most popular painter and art dealer in Rome at the turn of the century, brought him recognition. Through the art business Caravaggio met his first patron Cardinal Francesco Maria Del Monte, who not only held out the possibility of working independently, but also secured for him his first public commission: side paintings in the Contarelli Chapel, San Luigi dei Francesi. For Cardinal¡¯s Casino dell¡¯Aurora he painted Jupiter, Neptune and Pluto (c.1599-1600). From then on he was flooded by public commissions. Yet because of his violent temper he was constantly in trouble with the law. Since 1600, he is regularly mentioned in police records, is constantly under accusations of assault, libel and other crimes. In 1606, he became involved in murder and had to flee, finding refuge on the estates of Prince Marzio Colonna, where he painted Madonna of the Rosary (c.1606-1607). On his wanderings he paused in Naples, painting exclusively religious themes: Seven Works of Mercy (1606-1607), The Flagellation of Christ (1607). Not only these, but almost all of Caravaggio¡¯s religious subjects emphasize sadness, suffering, and death. In Malta he was housed by the Knights of St. John and painted several portraits of the Grand Master, Alof de Wignacourt. The artistically fertile Maltese period brought him the title of a Knight of St. John of Malta in 1608, but was shortly interrupted by imprisonment for a passionate quarrel with a noble and a renewed flight. Going through Syracuse and Messina, where some major late works came into being, The Raising of Lazarus (c.1608-1609) Caravaggio went on to Palermo and from there again to Naples. Here the news of the Pope¡¯s pardon reached him but, on arriving at Porto Escole by ship, he was again arrested, though later released. By then the ship had sailed, carrying away all his possessions. Struck down by a fever, he died without setting foot in Rome again. Few artists in history have exercised as extraordinary an influence as this tempestuous and short-lived painter. Caravaggio was destined to turn a large part of European art away from the ideal viewpoint of the Renaissance to the concept that simple reality was of primary importance. He was one of the first to paint people as ordinary looking. ....
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