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Sir-Lawrence-Alma-Tadema 's works
 Faust and Marguerite. 1857
Faust and Marguerite. 1857
 A Roman Family. 1868
A Roman Family. 1868
 The Education of the Children of Clovis. 1868
The Education of the Children of Clovis. 1868
 An Egyptian Widow. 1872
An Egyptian Widow. 1872
 A Picture Gallery. 1874
A Picture Gallery. 1874
 An Audience at Agrippa's. 1876
An Audience at Agrippa's. 1876
 94 Degrees in the Shade. 1876
94 Degrees in the Shade. 1876
 Balneatix. 1876
Balneatix. 1876
 Dalou, His Wife and His Daughter. 1876
Dalou, His Wife and His Daughter. 1876
 The Tepidarium. 1881
The Tepidarium. 1881
 Roman Potter. 1884
Roman Potter. 1884
 Anthony and Cleopatra. 1885
Anthony and Cleopatra. 1885
 An Apodyterium. 1886
An Apodyterium. 1886
 Love Votaries. 1891
Love Votaries. 1891
 Unconscious Rivals. 1893
Unconscious Rivals. 1893
 In My Studio. 1893
In My Studio. 1893
 Spring. 1894
Spring. 1894
 A Coign of Vantage. 1895
A Coign of Vantage. 1895
 The Coliseum. 1896
The Coliseum. 1896
 A Family Group. 1896
A Family Group. 1896
 A Difference of Opinion. 1896
A Difference of Opinion. 1896
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  • Sir-Lawrence-Alma-Tadema
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    Biography:
        Sir Lawrence Alma-Tadema (1836-1912) Sir Lawrence Alma-Tadema, the painter of "Victorians in togas", was one of the most successful artists of the XIX century. He was internationally famous and so immensely popular that scarcely a middle-class Victorian drawing room was without at least one print of Alma-Tadema's painting. Yet a few years after his death he was all but forgotten. Laurens (later he changed to the more English Lawrence) Tadema was born on 8 January 1836, in the small village of Dronrijp, which lies about 3 miles to the west of Leeuwarden, Holland. He was the sixth child of Pieter Jiltes Tadema, a notary. It is unclear when and why he affixed the name Alma to his last name, probably it was the name of his godfather. His parents wanted him to become a lawyer and Laurens was enrolled at the gymnasium of Leeuwarden. Although Laurens was a good student, he always wanted to be an artist and, with great enthusiasm he tried to pursue both courses. This caused a significant decline of his health that his doctors even predicted he would die shortly. His mother decided to allow him to spend his remaining days doing what he enjoyed most, to paint. But happily after that he recovered completely. This marked the beginning of a new period of his life. In 1851, he went to Antwerp to study in the Antwerp Academy, where he was taught first by Gustave Wappers and then by Nicaise de Keyser. He left the Academy in 1856 and continued to study art and also took up the history of Germany, early France and Belgium under the guidance of Louis de Taye, the Professor of Archaeology at the Academy of Antwerp. Faust and Marguerite (1857) was painted as a result of these studies. In 1859 Alma-Tadema became a pupil of Henrik Leys, joining his studio in Antwerp. In 1861, Tadema's picture The Education of the Children of Clovis (1868) was exhibited and became a success. In 1862, Alma-Tadema left Leys's studio and started his own career. The period 1862-1870 is called his Continental period, he established himself as a significant contemporary European artist. His main works were of classical genre, dedicated to Ancient Egypt: An Egyptian Widow (1872) and Greek and Roman history: A Roman Family (1868), An Audience at Agrippa's (1876). In 1870, Alma-Tadema moved to England, where he was to spend the rest of his life. He became one of the most famous and highly paid artists of his time, acknowledged and rewarded by the fellow artists as well as by the governments of the European countries. In 1879, he was elected as a full member of the Royal Academy of Arts and in 1899 was knighted by Queen Victoria. Among his most famous works are An Apodyterium (1886), Spring (1894), The Coliseum (1896), The Baths of Caracalla (1899), Silver Favourites (1903), The Finding o....
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